Aerial, 2019

9 minutes, spatialized (IMAX) audio 
(Drone mounted with an 8k RED camera and cable cam rig for the ambisonic audio)

A west coast rain forest seen through a camera mounted on a drone, moving rapidly as if it were a humming bird: it hovers, then zigzags horizontally, then vertically. Spatial microphones mounted on a cablecam up in the tree canopy move across the Emerald Pool in the south Walbran, not far from the bridge. Four white embossed still forest landscapes extend the possibility of inner spaces, for us to step back into ourselves, to contemplate, and to engage with the memory, recording and healing process, while we view, together, this airborne sequence, exploring a forest.

The Pacheedaht First Nation provided the poetic text on the forest at the end of the work, acknowledging this meaningful place as heritage and unceded territory.

Aerial with Outer Worlds curator Janine Marchessault and producer Chris Kroitor continues an exploration of those forests, this time with a hummingbird like drone, to move through the forest canopy and ambisonic mics rigged onto a cablecam that move from the forest floor to the canopy above the trees. The sound mix continued the experiment, with the sound ‘objects’ moved through a four-storey (IMAX) space, using joy sticks.

Funded by a Canada Council New Chapter grant (2017), the project is a commission for artistic experimentation with IMAX technologies, with curator Janine Marchessault, and artists Oliver Husain, Lisa Jackson, Kelly Richardson, Michael Snow, and Leila Sujir.

Aerial is part of a larger body of work called Forest!